Sony a6300 đánh giá

Basic Specifications Full mã sản phẩm name:Resolution:Sensor size:Kit Lens:Viewfinder:Native sầu ISO: Extended ISO: Shutter:Max Aperture:Dimensions:Weight:Availability:Manufacturer:Full specs:
Sony Alpha ILCE-A6300
24.20 Megapixels
APS-C(23.5mm x 15.6mm)
3.13x zoom16-50mm(24-75milimet eq.)
EVF / LCD
100 - 25,600
100 - 51,200
1/4000 - 30 sec
3.5 (kit lens)
4.7 x 2.6 x 1.9 in.(1trăng tròn x 67 x 49 mm)
18.3 oz(5trăng tròn g)includes batteries, kit lens
03/2016
Sony
Sony A6300 specifications

Body Only (Black)Body Only (Black)Body Only (Silver)Kit with 16-50milimet Lens (Black)Kit with 16-50mm Lens (Silver)
24.20MegapixelsSony EAPS-Csize sensor
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A6300 Summary

The Sony A6300 serves as the follow-up to one of the most popular cameras in recent years, the A6000. Given the predecessor's top marks, it's a tough act khổng lồ follow. Sony's pulled it off, though, packing in so many new features & performance improvements. Featuring better build unique, a new high-speed sensor, vastly improved AF và burst performance, better image quality & advanced video clip features, the Sony A6300 is a significant nâng cấp. Is it finally time to lớn downform size from that DSLR? Read our in-depth Sony A6300 Đánh Giá lớn find out!

Pros

Excellent image quality; Improved high-ISO performance; Better JPEG quality; Fast autofocus; Very good subject tracking with real-time live view feature; All-magnesium body toàn thân construction; 4K Clip.

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Cons

Slow buffer clearing (no UHS-II support); No touchscreen, Clunky menus; Wi-Fi can be a bit frustrating to use.

Price và availability

The Sony A6300 began shipping in the US market from March năm nhâm thìn. As of February 2017, the menu price is around US$900 body-only, or US$1,050 when bundled with Sony's 16-50milimet f/3.5-5.6 kit lens, a retractable optic with power zoom & Optical SteadyShot image stabilization. Both prices are around US$100 below those announced at launch.

Imaging Resource rating

5.0out of 5.0


Sony A6300 Review

 


 


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Need more buffer depth? Consider the Sony A6500 instead, which is largely similar to lớn this camera but with a much deeper buffer, a touch-screen display, và some tweaks in other areas.

Videographers: Want lớn see what"s possible with the A6300? Watch this cool video clip which was predominantly shot with the A6300 & a 20mm f/2.8 lens!


We"ve updated our pricing info for the A6300, which had grown rather out of date.

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In mid-năm trước, Sony launched a sản phẩm with spectacular appeal. The Altrộn A6000, says its maker, is not only the best-selling mirrorless camera lớn date, but also the best-selling interchangeable-lens camera with a pricetag at or above sầu US$600. Now, it follows up with the A6300, a camera which has one very tough act to follow -- but it looks to be more than up to lớn the task.

The A6300 keeps most everything which made its predecessor so popular, but makes some very worthwhile changes. Key among muốn these are a new image sensor và updated image processing algorithms which, together, bring lower noise levels & much-improved autofocus. There"s also a brand-new, higher-resolution electronic viewfinder, & its made all the more useful by the ability to lớn shoot with a live-view feed at rates of up to an impressively-swift eight frames per second. Add in some great refinements to lớn the camera"s đoạn Clip capture capabilities, & the A6300 looks to be a very promising hàng hóa indeed.

The A6300"s body toàn thân is very familiar, but with a couple of control tweaks

If you"ve shot with its predecessor, the A6300"s magnesium-alloy toàn thân will look very familiar indeed. Its height và width are identical to those of the earlier camera, while its depth has increased by a scant 0.14 inches (3.6mm), a change that comes accompanied by a slight 2.12 ounce (60g) increase in weight. Almost all of the external controls và design elements remain right where they were in the previous Mã Sản Phẩm. In fact, there are only a couple of control changes with which you"ll need khổng lồ familiarize yourself.

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The first of these can be found on the top deông chồng, where the mode dial no longer has separate iAuto lớn và Superior Auto lớn (iAuto+) positions. Both modes are still there, but they"re now grouped beneath a single Aulớn position on the dial, a change which frees up space for a second Memory ReĐiện thoại tư vấn mode instead.

That tweak will surely please more experienced photographers, as will the other significant control change: a new switch with central button on the rear deông chồng, replacing the earlier camera"s autoexposure loông chồng button. With the switch at the bottom of its throw, the button will still provide AE lochồng capability, but if the switch is flicked upwards, you"ll instead be able to toggle focus between automatic and manual control.

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The A6300 is rugged, but a question mark on weather-sealing

The new toàn thân of the A6300 should also prove sầu more rugged than that of its predecessor, according to Sony. Look beneath the surface -- which, we noted in our hands-on with the camera, has a more matte finish than in the past -- & you"ll find a newly reinforced lens mount structure.

Sony also notes that it has improved the A6300"s dust and moisture-resistance compared lớn the earlier camera, although there"s something of a question mark in this area. In its press materials, Sony notes that while the A6300 "is designed for optimal dust & moisture resistance," it is "not waterproof or splashproof". What precisely merits consideration as a splash versus just moisture isn"t really clear, but we wouldn"t recommend using the A6300 in more than a light sprinkle of rain.

Still, that"s more than enough for many photographers, even if we"d lượt thích to lớn see clearer guidance from the company as to just what level of moisture the A6300 should be able khổng lồ handle.


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The A6300 gets a new high-performance sensor; same high resolution

At the heart of the A6300, you"ll find the same pairing of a 24-megapixel CMOS image sensor và BIONZ X image processor that formed the foundation of the A6000. It"s not the same sensor as before, though. The newly-designed chip has the exact same output resolution of 6,000 x 4,000 pixels, but it now uses copper wiring for improved readout performance và a better signal-to-noise ratio. It also sports almost 2.4 times as many on-chip phase-detect autofocus pixels as in the earlier camera, a change we"ll be discussing in more depth momentarily.

Although the standard sensitivity range of ISO 100 khổng lồ 25,600-equivalents remains unchanged from the A6000, there"s now an ISO expansion function which will raise the upper limit lớn ISO 51,200-equivalent without resorting to Multi-frame Noise Reduction (though MFNR is still supported), and the camera also shows lower noise levels from the new imaging pipeline in the A6300.

Although performance has clearly been a kiến thiết goal for Sony during development of the A6300, its maximum burst capture rate remains unchanged at 11 frames per second. Burst depth at this maximum speed is also as near as makes no difference unchanged, with a predicted 44 large / extra fine JPEG frames or 21 RAW / RAW+JPEG frames in a burst (which we confirmed in our performance lab tests). However, you now have a choice of more burst capture frame rates -- 11, eight, six or three fps -- và that second-from-top option is much more usable than ever before.

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The A6300 delivers a much more satisfying burst capture experience

The reason for the improvement is that Sony has worked khổng lồ resolve sầu one of the main bugbears of the electronic viewfinder. Traditionally, EVFs are frowned on by sports shooters because what you"re seeing between frames captured in a high-tốc độ burst isn"t a live view of your subject, but rather the image that was just captured. That means there"s a lag between the action in the real world and what you see through the viewfinder. That remains true for the A6300 at its maximum burst capture rate, but not when you drop the rate khổng lồ eight fps.


At this somewhat-reduced rate, the camera shows a real live view feed, punctuated by a series of brief blackouts as each frame is captured. This is akin khổng lồ what you"d see with a traditional DSLR, which must also have sầu a viewfinder blackout every time the mirror is raised to allow light to reach the image sensor, & so it makes shooting with the A6300 much more DSLR-lượt thích. And our reviewer found this new function really did make it much easier khổng lồ trachồng moving subjects.

The Sony 6300 viewfinder is much sharper and (optionally) faster, too

This improved method of burst shooting with a live view feed comes predominantly thanks lớn the new, faster readout of the image sensor. The overall experience is also aided by improvements to lớn the viewfinder itself, though.

Although the electronic finder in the A6300 has the same 0.39-inch OLED panel kích thước as before, along with the same manufacturer-rated 100% coverage, 1.07x magnification (35mm equivalent: 0.7x), 23milimet eyepoint và -4 to lớn +3m-1 diopter adjustment, it now bests that in the earlier camera in two key ways.

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Firstly, total resolution has increased by 63%, with a dot count of 2,359,296 dots instead of the 1,440,000 dots in the earlier camera. Secondly, you can now adjust the viewfinder frame rate for smoother motion. As well as the standard rate of 60 frames per second, the viewfinder refresh can now be boosted khổng lồ a swift 120 fps.

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Record-setting autofocus (in more ways than one!)

Another major area of improvement in the A6300 can be found in its autofocus system. We already touched on this very briefly in our discussion of the new image sensor, but there"s a whole lot more lớn this particular story.


Still branded as "4D Focus", the AF system in the A6300 now has vastly more focus points to lớn choose from than before, & helpfully, these cover almost the entire field of view. Sony tells us that with a total of 425 phase-detect autofocus points on offer, the A6300 has the most PDAF points of any mirrorless camera lớn date. Add in a further 169 contrast-detect points, và there truly is spectacular AF point density. (Compare those numbers to lớn "just" 179 PDAF và 25 CDAF points in the earlier camera.)

This high point mật độ trùng lặp từ khóa pays dividends when it comes khổng lồ autofocus tracking, as the camera has much more information to lớn work with than ever before. As your subject moves, the A6300 can now follow it around the frame much more accurately. And as an added bonus, you"ll also be able khổng lồ use the PDAF points with adapted Sony Alpha-mount lenses, just as you can in recent Sony A7-series full-frame cameras. That"s a first for one of the company"s APS-C sensor-shod cameras.

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And nor is that all. Sony is also claiming that the autofocus system in the A6300 is just fractionally faster than the record-setting system in the A6000, taking just 0.05 seconds to lớn determine a focus loông chồng. (Of course, you"d be hard-pressed to notice a difference in the real world, as the earlier camera could lochồng focus in 0.06 seconds, but we"d imagine shaving off yet another hundredth of a second was no small task.) And yes, that AF performance merits yet another world"s first, according to lớn Sony.

Other AF improvements include the availability of Eye AF when shooting with continuous autofocus, just as seen in recent A7-series cameras, along with the ability to lớn combine the focus magnifier function with autofocus, và an expanded flexible spot AF function. There are also some improvements for movie capture specifically, as we"ll see in a moment.

Silent shooting & better bracketing

In most respects, the A6300"s exposure capabilities mirror those of the earlier camera. A couple of points stood out to us on inspecting the new model"s specifications, however. For one thing, there"s now a silent shooting mode, which should make this a much better option for nature photography, weddings, or anything else where shutter noise might startle or distract your subjects. There"s also a more generous exposure bracketing function. Previously, the A6000 limited you khổng lồ just five frames in a bracketed set, or three frames if your step size was 1EV or greater. Now, the A6300 will shoot as many as five frames with a 3EV step size, or nine frames with a step form size up lớn 1EV.


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The A6300 is a much more capable video clip shooter

Sony has made quite a few improvements to lớn the đoạn Clip feature mix of the A6300. We already hinted at one of these a moment ago in our discussion of autofocus: The company claims that the new camera can focus twice as fast during movie capture, when compared to lớn the earlier Model. Of course, swift autofocus isn"t always a good thing for movies, so you can also now adjust autofocus tốc độ and tracking sensitivity, if you want lớn dial things bachồng for less jarring transitions.


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The A6300 is also the company"s first APS-C camera with Super 35mm-format, 4K video capture capability. Recorded using XAVC S compression -- itself a new addition -- the A6300"s 4K đoạn Clip is downsampled from a full 6K of data read off the image sensor, with no pixel binning taking place. And if you"d prefer khổng lồ favor frame rate over resolution, another first for Sony"s APS-C lineup is the ability to capture Full HD đoạn Clip at 1đôi mươi frames per second with a 100 Mbps bitrate.

There"s also a new 3.5mm external microphone jaông xã on the A6300, which allows you to use an external mic without any proprietary accessories. (Previously, you"d have needed one of Sony"s Multi Interface Shoe mics or adapters.) And the maximum sensitivity in movie mode has now been raised from ISO 12,800 to 25,600-equivalent.

Sony has added a Gamma Display Assist function which makes it easier khổng lồ keep tabs on focus và framing when shooting S-Log movies. S-Gamut is also available, và the A6300"s zebra striping function has been improved too. You can now use picture profiles & capture time code / user bit data as well.

Significantly better battery life, too

One last change which really stood out lớn us is the impressive sầu improvement Sony has made in the A6300"s battery life. The earlier A6000 was limited khổng lồ 360 shots on a charge with the màn hình LCD, or just 310 frames when shooting using the electronic viewfinder. The A6300 boosts this khổng lồ an impressive sầu 400 frames on the LCD, which represents an 11% improvement -- và that"s when using the exact same NP-FW50 battery packs as in the earlier camera. When using the EVF, there"s an even greater 13% gain, with a total of 350 shots now possible on a charge. That"s almost as many frames with the A6300"s finder as the A6000 was able to lớn manage on the LCD panel!

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In other respects, the A6300"s features are similar to lớn the A6000

All of this represents a lot of improvement in areas which will really benefit A6300 owners. On paper at least, the new Mã Sản Phẩm is otherwise quite similar lớn its predecessor. The A6300 still natively-accepts Sony E-mount lenses as well as a wide range of first- & third-các buổi tiệc nhỏ glass using adapters, và relies on the attached lens for image stabilization.

The rear-panel display is still a 3.0-inch LCD with 921,600-dot resolution, & shutter speeds from 1/4,000 to lớn 30 seconds plus bulb are still possible. X-sync remains at 1/160 second, và there are still both a popup flash and Sony"s proprietary Multi Interface Shoe for external strobes.

Connectivity still includes both USB data & HDXiaoMI video clip outputs, & there"s still Wi-Fi wireless networking connectivity plus an NFC radio for easy pairing with Android devices. And as you"d expect in a modern Sony camera, you can supplement the basic features with the company"s PlayMemories Camera Apps -- some free, some available for a small cost -- khổng lồ enable features like remote camera control, time lapse photography and a whole lot more besides.

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Pricing and availability

The A6300 began shipping in the US market from March 2016. List price is around US$1,000 body-only, or US$1,150 when bundled with Sony"s SELP1650 kit lens, a retractable 16-50mm f/3.5-5.6 optic with power zoom và Optical SteadyShot image stabilization.


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The A6300 has big shoes khổng lồ fill after the wildly popular A60002014"s Sony A6000 was a wildly popular camera. In fact, it"s been the best-selling mirrorless camera overall and also the best-selling interchangeable lens camera priced over $600, according to lớn Sony"s data from NPD Group. It is no easy task to lớn follow up on something so popular, but the A6300 looks up to lớn the challenge by delivering excellent performance và important improvements.

Similar body to lớn its predecessor, but the A6300"s new EVF is top-notchThere are a lot of similarities between the A6300 và A6000 on the outside. The A6300 is slightly deeper and also slightly heavier, but the controls are mostly unchanged. There is a second memory rehotline option on the mode dial và the rear of the camera has a new switch surrounding the AE-L button to quickly toggle between automatic & manual focus. While the two cameras look similar, the A6300 comes with a more rugged construction. Also, dust and moisture-resistance has been improved according lớn Sony, although the toàn thân is still not splash-proof.


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Here we present crops from our laboratory Still Life target comparing A6300 image quality khổng lồ its predecessor, the A6000, as well as against several enthusiast ILC models at similar price points or in similar categories: the Fuji X-T1, Nikon D7200, Panasonic GX8 & Sony A7. We realize the Sony A7 isn"t in the same league as the A6300 in terms of performance (and frankly, very few cameras are), but it"s available for about the same body-only price at the time of writing so we thought including a full-frame Mã Sản Phẩm would be an interesting comparison lớn some of our readers.

NOTE: These images are from best unique JPEGs straight out of the camera, at mặc định settings including noise reduction & using the camera"s actual base ISO (not extended ISO settings). All cameras in this comparison were shot with our very sharp reference lenses. Clicking any crop will take you to lớn a carrier page where you can click once again to access the full resolution image as delivered straight from the camera.


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Print unique và image quality are similar but not identical, because what you see on a print isn"t always the same as what you see on the screen. Our print unique analysis answers the important question: "Just how big can I print my photos at higher ISOs?"

The A6300 excels in the print unique department for an APS-C camera. Not only does it deliver exceptional prints at base ISO and ISO 200, but it bests its predecessor the A6000 at ISO 400 & 800. For the remaining ISO"s the A6300 scored a similar print kích cỡ, but tended to lớn look to our eyes just a bit sharper at each of these settings. We can say without hesitation that the A6300 does indeed best the A6000 in the print chất lượng department, though certainly not in a radical way as the A6000 was already quite good.


The Sony A6000, predecessor to the A6300, has been a runaway success for Sony, taking the top-selling spot for not only all mirrorless cameras, but also all interchangeable lens cameras priced over $600 put together. And for good reason. The A6000 is a fantastic camera in many ways: a compact, comfortable kiến thiết with built-in EVF; superb, high-resolution image quality at both low & higher ISOs; blazing-fast hybrid autofocus and burst mode performance; và all at a substantial value (especially once the price dropped a bit). Needless to lớn say, the Sony A6000 was looking to be a hard camera for the folks at Sony to top, but the new A6300 is much more than just a minor refresh some two years later.

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Familiar exterior, but the A6300 has better build qualityWe say, "more than a minor refresh," but at first glance, the A6300"s external design is exactly that. It maintains a nearly identical toàn thân design và control layout, though we bởi vì find a few small changes to lớn its buttons và dials. Like the A6000, this updated camera is very light & comfortable to hold with a contoured handgrip và a nice array of physical controls. There"s not much to complain about with the A6300"s physical thiết kế and controls, although an additional front-facing control dial like on the A7-series cameras would have been nice.


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